Incompréhension ? Foutaise !
Écrire, faire part des ses sentiments, émotions, déceptions, chagrins, joies que soit en “amour” ou dans d’autres domaines, devrions-nous en être coupable ?
Soignons donc nos maux par les mots, n’est-ce pas cela une part de liberté ?
(via fuckyeahviolins)
I’m now an honors performance student in instrumental and chamber music.
Being recognized for nine years of practice feels really damn good.
The piece I’m working on now. And goddamn it, Perlman. Why can’t I be you?
I adore this piece and I adore Beethoven.
But also, I always find it fascinating when people try to visualize sounds and the patterns of sound that form music. This goes a bit of a step above for me, as it even visualizes the concept of trills, separations within the piece and the differences between chords and flowing melodies and harmonies.
Sarasate - Concert Fantasy on Themes from Bizet’s ‘Carmen,’ performed by Itzhak Perlman. I might have said before that I’m not a big fan of violin music, but this is genius! Seriously epic piece and performance! The melody starting at 3:00 is one of the most beautiful melodies ever.
HOW DOES THIS MAN EXIST
HOW
Antonio Stradivari (1644-1737) - Violin Cobbett - Cremona (1683)
(via fuckyeahviolins)
